
It's truly great to see so many other fans from all over the world finally have a central discussion and information point. This is really not what I had expected to find when I searched him out tonight. To hear and see that Rod has recently toured and is undertaking a new album is totally mind blowing for me. Thankful for the memorable time (in South Africa) and wishes each of them peace in the new year. Piddy and Cause.īrian Currin ( something from Rodriguez to his fans via Eva, his daughter:Īnyway, please inform fans, friends and web readers that (Rodriguez) is Has there ever been a better bass-line than the one in I Wonder? My two other favourite tunes are Jane S. Just thought I'd mention that there's at least one fan here in England (though I first heard Cold Fact in SA in 1984). I Wonder is such a simple song, yet an absolute classic in its lyrics and catchy chorus. The applause which greeted that instantly recognisable "da-da-da-da-da-dum" was incredible to experience. Hearing that opening bass-line in Cape Town on the 6th March 1998. Not so? Please enter this on your "Forgotten classic bassline das" site.īrian ( (see message below) commented on the bass line for I Wonder. That bass line should read."da-da-da-da-da-da-dum"
"da-da-da-da-da-dum" was incredible to experience." The applause which greeted that instantly recognisable Remember hearing that opening bass-line in Cape Town on the 6th Marchġ998. "Tim (see message below) commented on the bass line for I Wonder. Hi Brian, sorry to be picky, but you wrote.
Piddy (most commonly seen) or Jane's Piddy (the one given on the back cover of my copy of the Best Of album)? Tim ( question: does anyone know if the title of the song is Jane S. Rodriguez said "no" when I asked him, but "I wonder." "Janis Pity" - y'now like pity for Janis Joplin. I've often wondered if this is'nt meant to be The album is in excellent condition and has only been played twice! Is anybody interested?īrian ( Rodriguez is an Australian Rodriguez tribute band - read more on the Climb Up On My Music Website.īrian ( S Piddy is correct.
To Be Heard (Roland Legiardi-Laura, Edwin Martinez, Deborah Shaffer, Amy Sultan) World Premiere – Three teenagers Karina, Pearl and Anthony cope with challenges of life in the inner city and find transformation from the radical poetry workshop Power Writing that gives them tools for expression.I have a copy of 'Rodriguez Alive' that I'm interested in selling if the price is right. Ride, Rise, Roar (David Hillman Curtis) A David Byrne concert film that blends riveting onstage performances with intimate details of the creative collaborations that make the music and performance happen. Puppet (David Soll) World Premiere – Taking us behind the scenes as theater director Dan Hurlin collaborates with master puppeteers for his play “Disfarmer,” Puppet explores why the this art form has been misunderstood in America. Premiere – Witness to New York’s music scene of the 1960s and 70s, Lillian Roxon was a trail blazer of rock criticism while mingling with the likes of John and Yoko, the Velvet Underground and Janis Joplin. Mother of Rock: Lilian Roxon (Paul Clarke) U.S. Murray Abraham, Willem Dafoe, Yoko Ono, Lou Reed, Suzan-Lori Parks and others to pay tribute to his career. mindFLUX (Ryan Kerrison) World Premiere – This profile of visionary theater director Richard Foreman draws upon interviews with F. Lost Bohemia (Josef Birdman Astor) World Premiere – Director Josef Birdman Astor, a resident of the artists studios above Carnegie Hall, gives an insider’s account of the protracted battle to save the apartments and pays homage to their rich heritage. We urge you to join the jury in watching all six films to remind yourself what makes NYC such a transformative place. The jury will honor one film that stands out to them as exemplary not just for New Yorkers, but audiences far and wide. Watching several or all, viewers will experience a rich tour of innovators, subcultures, and inner circles. The subjects include the passing of an era in “Lost Bohemia” (pictured), the emergence of young talent in “To Be Heard,” the life of a writer in “Mother of Rock: Lilian Roxon,” the life of a play in “Puppet,” the theater director Richard Foreman in “mindFLUX,” and the musician David Byrne in “Ride, Rise, Roar”.Įach film individually exhibits a high degree of artistry. The appeal of these films radiates far beyond their backdrop of New York City. There are 8 million stories in the naked city.